Phonetic Current Shorthand
- The Sounds of English
- The Alphabet
- General Principles
- Vowels
- Arbitraries
- Consonants
- Size and Projection Show Place
- Shape Shows Form
- Consonants Requiring Special Notice
- Consonant Groups
- Rising Consonants
- Finals
- Implied Characters
- Contraction
- Marks
- Specimens
The Sounds of English
As the ordinary spelling of English does not always show its real pronunciation, it is necessary to use a phonetic spelling, which we enclose in (parentheses).
Sounds are classed as Vowels and Consonants.
Consonants
Consonants are classed according to the place in the mouth where they are formed as:
- back: (k, g), (ng) in sing, think (thingk)
- front: (y) in you
- point (tongue-point): (t, d, n); (th) in thin, (dh) in then; (s, z); (sh), (zh) in measure; (r, l)
- lip: (p, b, m; f, v; w).
By ‘form’ they are classed as:
- stopped (stops): (k, g; t, d; p, b)
- nasal: (ng, n m)
- open: (th, dh; s, z; sh, zh; f, v), which are hiss-consonants, and (r, l; w, y) which are vowel-like consonants.
The stop and hiss consonants go in pairs of breath and voice consonants:
- breath: k, t, p; th, s, sh, f
- voice: g, d, b; dh, z, zh, v.
The nasals, vowel-like consonants, and vowels occur only voiced.
The vowel-like consonant (y) has nearly the same sound as the vowel (i), and (w) has nearly the same sound as (u) in full.
(h) is something between a breath vowel and a throat consonant.
Vowels
Vowels are short, long, and diphthongic. In phonetic spelling long vowels are doubled, except (ɔ) in fall, and diphthongs are expressed by writing two different vowels together.
In the following list some of the vowels are bracketed together in pairs of short and long; but in English the long vowels never have exactly the same sounds as any of the short vowels. Thus the vowel in sun, which we write (a), really has a sound between (aa) in father and (əə) in further. Sometimes the nearest approach to a long vowel is a diphthong.
- a: as in sun, son (san)
- aa: as in father, farther (faadhə)
- ai: as in time (taim)
- au: as in house (haus)
- æ: as in man (mæn)
- the bracketed pair:
- e: as in bred, bread (bred)
- ei: as in tale, tail (teil)
- eə: as in there, their (dheə)
- ə: as in together (təgedhə)
- əə: as in fir, fur (fəə)
- the bracketed pair:
- i: as in city (siti)
- ii: as in see, sea (sii)
- the bracketed pair:
- iə: as in carrier (kæriə)
- iiə: as in here, hear (hiiə)
- the bracketed pair:
- o: as in follow (folo)
- ɔ: as in fall (fɔl)
- the bracketed pair:
- oə: as in narrower (næroə)
- ɔə: as in soar, sore (sɔə)
- oi: as in boy (boi)
- ou: as in no, know (nou)
- the bracketed pair:
- u: as in full (ful)
- uu: as in too, two (tuu)
- uuə: as in poor (puuə)
There are also triphthongs, ending in (ə), such as (aiə) in fire.
Stress
Syllables are uttered with three degrees of stress (loudness):
- strong
- medium
- weak.
Thus in contradict the first syllable is medium, the second weak, the last strong. Strong stress is marked by (ˈ) before the beginning of the strong syllable, thus (kontrəˈdict). We call such vowels as (ə) ‘weak vowels,’ because they occur only in weak syllables.
The Alphabet
General Principles
Consonants are expressed by full-sized characters, such as (t), (s), vowels by small characters, as in city (siti). Some vowels, such as , are written on the ‘high-mid’ level, others on the ‘low-mid’ level, such as (ai), as in night. Long vowels are expressed by lengthening, as in seen, scene (siin).
The only consonant that is written small is (L), expressed by low-mid before a vowel, as in lit, line, by high-mid after a vowel, as in tile.
The other consonants are distinguished by projection. ‘Short’ consonants, such as , do not project at all. Of the ‘long’ consonants some are ‘high’, such as (b), some are ‘low’, such as (k), and some are ‘tall’, such as (tsh). Examples:
- beat
- sick
- teach
If the vowel before or after a consonant is not written, the simple stroke is used to show the presence of a vowel – generally (e) or (ə): ate (et), the city. [Note that the is generally run on to the following word.]
If two consonants come together without any vowel between, forming a ‘consonant-group,’ they are, if possible, joined together without any stroke between, as in bless, little, , being ‘ligatures.’
If this cannot be done, they are ‘crowded’ together as closely as possible, or written detached with the smallest possible space between, as in , bitten, or else ‘grafted’ together, as in anxious.
But many consonant-groups are expressed by simple characters, such as (tsh). Such groups as (st, ts) are expressed by joining the loop of the (s) directly on to the (t), as in stile, style, sits.
A consonant-character standing along is used as a ‘sign,’ that is, a contraction of some special word or of several words having the same sound: = to, too, two, = twice.
Some contractions are made by writing ‘in position’ – ‘raised’ or ‘lowered.’ Thus raised = it, = its, = than.
Letters and sounds are distinguished as initial, medial, and final, according as they occur at the beginning, in the middle, or at the end of a word.
When we express short-hand outlines by ordinary letters, we use (-) to denote the stroke, as in dh-n = then.
Vowels
-
‘short stroke; long stroke’ (e, ə; ei): men, a pen; name. When the short stroke expresses (ə), it is written as short as possible. Medially, all weak vowels are expressed by the stroke, as in phonetic, settling.
The ‘low stroke’ is used to express (h), as in head, hit, because (h) is a kind of vowel.
Contractions:
- by itself, detached, = are, and occasionally a, which is generally distinguished from are by being joined to the following word in the same way as the.
- = how
-
‘high up-hook’ (i, ii): sit; seat. Initial and final weak (i) are always written in full, as in (imit) emit, city, distinguished from omit, sitter (əmit, sitə), medial weak (i) being expressed by the simple stroke.
Contractions:
- = he
- Raised (i) expresses the ending ‑ly: merrily, namely.
-
‘low up-hook’ (ai; aa): I, eye, aye, mighty; fast, star. It will be observed that as there is no short (aa) in English, the short low up-hook is utilized to express the very frequent dipthong (ai). After some consonants – especially the high down-loop (v) – these vowels may be written inside the curve: vast, shine.
-
‘double up-hook’ (yu, yuu; u, uu): unite, unit; cook, moon. In ordinary writing it is not necessary to lengthen the stroke of (yuu): unit, duty.
Contractions:
- = you
- = who
-
‘high down-hook’ (e; ei): These characters are only occasionally written instead of short and long strokes, but it is often useful to write them when special distinctness is required. Thus is clearer than , which might be taken for (əb) as well as (eb). is sometimes more convenient than the long stroke, as in babe.
-
‘low down-hook’ (æ): add, cab.
-
‘double down-hook’ (yuə, yuuə; uə, uuə): fewer, dual, duel; poor.
Contractions:
- = you are
- = who are
-
; ‘high up-loop’ (o; ɔ): sorrow; autumn. The first form of the short vowel – the ‘round curve’ – may be written initially, and is necessary when the vowel is detached, so as to distinguish it from – the detached form of the down-loop .
-
; ‘low up-loop’ (au; ou): now; own. These vowels may be written inside the curves of certain consonants in the same way as the low up-hook (ai) : shout, vote.
Contractions:
- Detached = out
-
; ‘high down-loop’ (ə; əə). The short vowel is written only in contractions, such as her, being otherwise expressed by the simple stroke. The long vowel always keeps its shape when final, as in cur. Before a consonant the curve may be straightened, as in , written with the curve of the vowel flattened to readily continue into (d), rather than , written with a pause before arcing into (d), for bird. Before t, n, etc. the loop is joined directly on to the consonant, the stroke being shortened, as in assert, burn. Before an up-loop consonant it may be expressed by an up-loop run on: burst, curse.
Contractions:
- = her
-
; low down-loop (a; eə): dull; care, , airy.
-
following an up-loop or up-hook with another up-loop is used to add ə to many vowels:
- (iə, iie) as in carrier, career
- (aiə) as in fire
-
(oə, ɔə) as in
follower,
gnawer, Noah
- However, (ɔə) differs so slightly from (ɔ) that it is generally written in the same way: saw, soar, sore
- (auə, ouə) as in sour, shower, lower
In the rare combinations (iio, aiau) etc. the detached forms of (o, au) are used, as in Iolic.
Detached Vowels
In the rare cases in which it is necessary to write a low vowel immediately after a high one, the low vowel is written detached under the high one: Pompeii. [Jeremy: Sweet’s vowel choices here might sound odd to you. Modern English and Latin pronunciations of “Pompeii” would be different. Pronunciation differences aside, it still serves to show how to write a low vowel right after a high vowel. Thanks to Reddit user u/cruxdestruct for clearing up the pronunciation confusion.]
Vowels and strokes may be detached in other cases when convenient. Thus weigher may be written or , where the first uses the long and short strokes and detaches the short stroke so it might clearly be read, while the second explicitly writes out both (ei) and (ə) and avoids any need to detach a vowel.
Arbitraries
The following marks are written small, like vowels, to express certain very common words:
- and. Compare the use of the hyphen as a joiner.
- or
- an
- of
Examples:
- now and then
- now or never
- an ear of corn
Consonants
Size and Projection Show Place
The place of a consonant is shown by its size and projection.
Short Point Consonants
The most numerous class of consonants — the point — are written short:
- (t, d, n)
- (s, z)
- (th, dh)
- (r)
High Lip Consonants
The lip-consonants are all written high, as being formed high up in the mouth:
- (p, b, m)
- (f, v)
- (w)
Low Back Consonants
The back- and throat-consonants and the front consonant (y) are written low:
- (k, g, ng)
- (h)
- (y)
As (sh, zh) are formed further back in the both than (s, z), they are written low:
- (sh, zh)
Tall Consonant Clusters
The tall characters are assigned to consonant-groups or compounds, mostly containing (sh, zh) or (y), such as:
- (tsh)
- (dzh)
- (ny)
Shape Shows Form
The form of consonants is shown by their shape.
Sharp-Stemmed Breath Stops
Breath stops are expressed by a ‘sharp stem’ or bar, to symbolize their sharp, hard sound and the stoppage of the breath:
- (t)
- (p)
- (k)
- (tsh)
Examples:
- typical
- touch
(tsh) may also be expressed by the ligature (t+sh), as in Chichester.
Signs:
- = to(o), two
- = up
- = because
Round-Topped Voice Stops
The corresponding voice stops are expressed by rounding the tops of these stems to symbolize the greater softness of the voice stops, giving the ‘down-hooks’:
- (d)
- (b)
- (g)
- (dzh)
Examples:
- double
- guide
- ridge
(dzh) may also be written (d+sh), as in judge.
Signs:
- = but
- = again
Round-Bottomed Nasals
The consonants most allied to the voice stops are the nasals, which are accordingly expressed by inverting the voice-stop characters, giving the ‘up-hooks’:
- (n)
- (m)
- (ng)
- (ny)
Examples:
- meaning
- union
Signs:
- = on
- = in
Table: Shape and Form
The following table shows the relations of these three classes of consonants:
point | lip | back | |
---|---|---|---|
breath stop | t | p | k |
voice stop | d | b | g |
nasal | n | m | k |
Up-Looped Hisses, Down-Looped Buzzes
The breath hisses are expressed by up-loops, the corresponding voice consonants or ‘buzzes’ by down-loops:
point | lip | |
---|---|---|
breath hiss | s | f |
voice hiss | z | v |
Examples:
- safe
- visit
Signs:
- = is
- = for, fore, four
Consonants Requiring Special Notice
Sh, Zh
(sh, zh) are reversed, the more easily written low down-loop being assigned to the more frequent (sh), the tall forms of these characters being used to express their combination with preceding (n):
- (sh)
- (zh)
- (nsh)
- (nzh)
Examples:
- ship
- rouge
- inch
- singe
Th, Dh
As (dh) is very frequent initially in such words as the, then, it is expressed by the round curve , which is a good initial, but does not join so well to a preceding character. The breath (th) is expressed by :
- (th)
- (dh)
Examples:
- thin
- then
- the south
The stroke may be drawn through the middle of (th), as in thigh. Observe the distinction between (thii) and (thei).
Signs:
- = thing
- = the, thee
- = this
W, Y, Wh
The two vowel-like consonants (y, w) are mainly initial and are therefore expressed by the ‘flat curve’:
- (w)
- (y)
Like (dh)’s round curve, the flat curve is best as an initial.
Examples:
- wine
- year
The distinction between voice (w) and breath (wh) may generally be neglected in writing as it usually is in pronunciation; thus:
- = whine as well as wine.
When necessary (wh) is expressed by:
- (wh), as in Whiston.
Signs:
- = one, won
- = you
The vowel-stroke before these characters is for convenience written flat:
- a way, away
- a year
R, L, Ry
The likeness of sound between (r) and (l) is shown in the likeness of their symbols, (r) being expressed by the ‘double hook’, (l) by the flattened double hook or ‘wave’, the tall being used, similarly to , to express (ry) or (ri) before a vowel:
- (r)
- (l)
- (ry)
Examples:
- rearing
- lyric
- burial
An Alternative Initial R
Initial (r) may also be expressed by the flat curve , which is however liable to be confused with the round curve :
- rain [ the rain]
Final R Is Always Dropped
In English, final (r) is always dropped except before a word beginning with a vowel; so, as in Shorthand we always write the shortest forms, we ignore final (r) altogether, writing not only card but far, even when a vowel follows, as in far away.
L
As first stated in ‘General Principles’, the only consonant that is written small is (l). Before a vowel, it is expressed by the low-mid ‘wave’ , as in:
- lit
- line
After a vowel, it is expressed by the high-mid wave , as in:
- tile
Signs:
- = all
Lei, Eil
Long low wave is used to express (lei), long high wave to express (eil):
- let
- late
- pleasant
- plate
- tell
- tale, tail
- Welsh
- Wales
A vowel-stroke is added to final (lei) and prefixed to initial (eil):
- lay, play
- ale, ail
High Vowel + High L
When a high vowel is written before high , the length of the vowel is best shown by lengthening the wave of the (l), as in feel compared with fill.
Stroke + Low L
A vowel-stroke before low (l) must be written under the line:
- a letter
- allay [ elm]
Stem-Wave L, -Lə, Il-
In some cases (l) is expressed by the ‘stem-wave’ , which always implies a following vowel. It is necessary when consonant + vowel + (l) is followed by a low vowel, as in malign, unless a break is made by writing .
Final stem-wave expresses (lə), as in:
- seller, cellar
- sailer, sailor
Initially it is utilized to express (il), so as to avoid inconvenient joins:
- elate
- illumine
H, Ch
(h), the open throat consonant, is expressed by the low circle , but oftenest by the low stroke . The circle is, however, sometimes more convenient, as in the combination (hei):
- haste.
It is also used to express Scotch ch in loch .
Consonant Groups
As there are more simple characters than are required for the simple consonants, the superfluous ones are used to express consonant-groups. Of these, the tall characters have alreadg been described.
nt, mp, nk; nd, mb
As the ‘indented down-hooks’ etc., and the ‘back-round curves’ etc. are good finals and bad initials, the are assigned to the groups (nt, nd) etc, which never occur initially, the sharp ending of symbolizing the sharp (t):
- indented down-hooks: (nt, mp, ngk);
- back-round curves: (nd, mb).
Examples:
- went, empire, ink;
- send, nimble.
Signs:
- = unto
- = into
- = under
ngg
The low back-round curve being inconvenient, (ngg) is expressed by looped-up (ng):
- linger
- tangle
kw, ly
The ‘double hook’ has been previously introduced as the short double-hook (r) and the tall double-hook (ry). In its high and low forms, it is used to express:
- (kw)
- (ly)
Examples:
- quick, liquid
- alien, value
Signs:
- = quite
consonant + (t)
The combination consonant + (t) is expressed by waving stems and notching curves:
- , (pt, kt)
- , (mt, ngt)
- , (ft, sht)
Examples:
- apt, tact
- empty, instinct
- left
These characters are used chiefly where the t is radical, that is, forms part of the body of the word.
combinations with (s, z)
Combinations with (s, z) are expressed by loops:
- , , , (st, sp, sk, stsh)
- , , (ts, ps, ks)
- , (pts, kts)
- (lz)
Examples:
- state, quartz, quarts
- speak, copse
- sky, six
- mischief
- adopts, tracts
- tells, - tales
As there is no such combination as hiss + (s, z), the loop after hiss-consonants is used to express weak vowel + (z): (tsh-z): riches, teaches.
- , (zb, sw)
- , , (sn, sm, sf)
Examples:
- husband, swift
- snow, smoke, sphere
Signs:
- = its, it is (it’s)
- = twice
- = some, sum
Consonants ending in an open loop add (s, z) by looping up the curve. As a general rule the simple loop means (z), the stroke being drawn through the curve to express (s), thus (nz) (ns). Combinations in which (z) is impossible are written with the simple loop, such as (fs).
- , , (nz, mz, ngz)
- , (ndz, mbz)
- , (fs, fts)
Examples:
- sins, crimson, sings
- sends
- laughs, lifts
In the following ligatures, the loop implies weak vowel + (z):
- , , (s-z, zh-z, nzh-z)
- , , (ny-z, ly-z, ri-z)
- (l-z)
Examples:
- misses, measures, ranges
- sinews, values, terriers
- sailors
Such groups as (kst) are expressed by adding the ‘notched double hook’, which is looped up to add (s):
- , (kst, dst)
- , (ksts, dsts)
Examples:
- text, texts
- midst
Radical (dz, bz, gz) are expressed by the ligatures:
- (dz) as in adze
- (bz)
- as in zigzag.
combinations with (r)
stem + r uses a back ring
(r) is added to stems in the form of a ‘back ring’:
- , , (tr, pr, kr)
- , , (dr, br, gr)
- , , (str, spr, skr)
- , (tshər, dzhər)
Examples:
- try, pride, secret
- dry, bright, green
- street, spread, screw
- treachery, drudgery
Signs:
- = perhaps
Note:
- (ktr), (mpr), (ndr), etc., are less convenient, and are generally avoided by contraction.
up-loop + r uses the circle loop
…
down-loop + r uses crowded-on full r
…
consonant + (w)
other groups expressed by simply joining
(l) groups
(th) groups
s+r for (thr); (thw)
double-hook (y) and (w)
raised short consonant beginning a consonant group
use breaks or grafts to avoid awkard joints
Rising Consonants
Finals
Implied Characters
Contraction
General Contractions
Vowels
Consonants
Word-Omission
Special Contractions
Limbs
Prefixes
Endings
Signs
Verbs
Numerals
Other Sign-Groups
Free Contraction
Marks
Specimens
The first three are the same as in Part 1, and are accompanied by a phonetic transcription. The first is only slightly contracted.